Showing posts with label Animated Features. Show all posts
Showing posts with label Animated Features. Show all posts

2008-07-04

Bolt Trailer vs. American Dog

Talk about a story that has some history...

Originally this was Chris Sander's story (creator of Lilo and Stitch)
called American Dog and it looked more like this in 2005.

The original story in 2005 went like this...

Henry is a popular dog. He stars in his own television series, in which he is a James Bond style secret agent who manages to survive the most wonderful adventures. Henry is the toast of the town, but then one day one of the stunts in his show goes terribly wrong, Henry loses concsiousness, and when he wakes up he finds himself on a train, thousands of miles away from his home. Henry has been a celebrity all his life and does not know how to handle himself in this new situation, but luckily he is able to make some new friends that he convinces to get him back home.

So, here is what Disney/Pixar has come up with after they fire Chris Sanders and reworked both the story and the artwork.


Bolt tells the story a dog who plays a heroic pup in a hit TV show and has some trouble recognising that he is in fact not possessed of extraordinary powers beyond the ability to lick his own nether regions. This becomes something of a hindrance when he is accidentally shipped from Hollywood to New York City. From there he has to make his way home with only the help of a manky old cat and an overweight hamster in a plastic ball. John Travolta, Miley Cyrus, Susie Essman and Mark Walton provide voices.

The Art Change: I honestly am not crazy about the new designs, but then I am really partial to Chris Sander's style and design sense because it is so different than most Disney styles. I feel the new Disney dog looks just like any other dog now - very homogenized, as well as the cat. The hamster character is cute and almost more fun to watch that the lead characters, from what I can tell from the trailer above.

The Story Change: I think the idea Chris had for Henry the Dog - as a celebrity on a train headed for who knows where? is stronger, and offers more of a change in Henry's personality. Chris's story offers an opportunity for Henry to learn about himself by being placed in a world he knows nothing about and with new people who know nothing about him. The whole Jame's Bond angle gives the dog more of a sophistication than the idea of "ohhh I am so hard headed that I think I have super powers like I do on TV?" The premise being he discovers he doesn't need superpowers to be a hero...I just think it's playing down to the audience and makes the lead character seem dense and not someone I would root for.

Watch this little clip from the original movie being made to see how much potential that one moment has where he wales up to discover he is on a train to somewhere far away.

The new Disney story creates almost an idiot savant personality for Bolt because he thinks he has the powers he has on the show. The dog isn't really learning anything about himself or growing, he is just going to realize like there is no Santa Claus and that he has no super powers and then goes back home.

I was REALLY looking forward to American Dog, but I am not sold on the Bolt turnaround just yet.

I welcome any comments.


2008-06-25

WALL•E Featurettes

The PR Peeps at Pixar contacted me and as the premiere of WALL•E nears, they have four new featurettes! Each of these videos provides a behind-the-scenes look at the production of WALL•E. You can frame by frame these movies in hi-REZ and see all the Squash and stretch that happens to a robot! Don't miss when WALL•E is hit by lighting! ~Angie


WALL•E has a MySpace page (http://myspace.com/wall-e) for more fun features, such as giving WALL•E commands, building your own bot through the Build-A-Bot feature, and grabbing the social widget to use on your own personal sites.

For more information about the film, visit http://wall-e.com, and remember that the debut of WALL•E, June 27th, is just around the corner!


WALL•E – “Lots of Bots” Featurette

Quicktime:

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WALL•E – “A Space Journey In Sound” Featurette

Quicktime:




WALL•E – “The Man & The Machine” Featurette

Quicktime:

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iPod:



WALL•E – “Pixar Goes To Space” Featurette

Quicktime:


Stanton Talks John Carter of Mars


Stanton Talks John Carter of Mars
June 25, 2008


During a recent junket for WALL-E (opening Friday from Disney/Pixar), director Andrew Stanton was asked by AWN about the status of the upcoming JOHN CARTER OF MARS project at Pixar (which is reportedly being scripted by RATATOUILLE and THE INCREDIBLES head of story Mark Andrews).


"We haven't decided yet if it's going to be live-action or animated," Stanton confirmed. "The one thing I've learned at Pixar is spending the first year or two making sure the story's as good as it can be, and everything else will fall into place. So we'll let the story dictate that."


But Stanton acknowledged that Pixar's toolset will certainly be considered in figuring out which direction to take the Edgar Rice Burroughs sci-fi epic.


The importance of this, of course, is that the sci-fi WALL-E raises the bar for Pixar with its new virtual camera system, allowing for more of a live-action look in depicting the futuristic world. In addition, the movie marks Pixar's first entry into live action with a few brief surprises.


Meanwhile, Brad Bird's upcoming 1906 for Warner Bros. will be the studio's first test case for handling CG vfx in this live-action adaptation of James Dalessandro's novel about the devastating San Francisco earthquake.


2008-06-05

Meet the cast of Wall-e!



Top 25 Animated features - by Moviefone


Animated movies can do everything live action movies can do -- make us laugh, make us cry, make us go agape at the sheer wonder of it all. Actually, they can do all those things better than live action movies can, sometimes -- because they're drawn, which makes them that much more, you know, impressive. Check out these 25 awesome animated treats and see if you don't agree. -- By Glenn Kenny


2008-05-22

Siggraph 2008



Click here to see the teaser



I can remember when the Computer Animation festival was a show everyone looked forward too see each year at Siggraph, because it was supposed to be all the best animation completed from the year - student wise and professional.

The past few years it has gotten a bit stale, but this year it looks like some folks have taken the presentation and Siggraph more seriously! It's a tough nut to crack because these days with the Internet many people have seen most of the content out there, but this promo got me excited to go and actually see the festival in the theater this year, instead of ordering the disk and watching at home.


"The Computer Animation Festival is evolving into a full-scale film festival featuring curated and competition screenings; discussion panels with filmmakers, artists, and producers; a full day of 3D panels, presentations, and screenings; and an awards evening celebrating the artists' accomplishments. Events will be held at both the brand new Nokia Theater and at the Los Angeles Convention Center alongside the rest of the conference."

... CG Society Article


2008-05-18

Animation Mojo


I just watched the Documentary by Leslie Iwerks - The Pixar Story - on Starz Kids and Family. I had no idea it was on and was just flipping channels - to my surprise, there it was. Wowsie Wow - good on ya - Ms. Iwerks!

I found myself energized watching this film
and excited to be an animator again.

Working as an animator (outside of Pixar), sometimes we can loose sight of how creative and fun it can be. The stories and films made in Hollywood are not always the best. Many times, the suits in charge loose sight of why they are being made. No one seems to be ready to stick their neck out for an original idea. Everyone seems to be out for the quick buck rather than investing for a long term goal. Generating profit - NOT creativity...seems to be the primary goal in Hollywood. Animated films should be created to entertain first!!! and tell a great story. Do this well...and the money will come.

If Steve Jobs hadn't been willing to invest his money and lose money
for years on his investment in this new technology of computer animation and graphics, who knows if Pixar would have even made it? Success in any industry demands people willing to take risks and people who possess a fearless pursuit of new ideas to create something new.

One of the most important points made in the film was when Brad Bird gave his first talk to the people at Pixar. It was his point of view coming from the outside world, outside the vacuum of Pixar's success. The gist of what he tells them is this...

What you guys are doing here (at Pixar) is an anomaly. Most studios are not swimming in a creative jug of spontaneous creativity and making hit after hit. So value this.

Then he said one of the best things ever that sums up working in film making.

"Film is forever...pain is temporary."

Innovation, optimism, and original creativity in corporate American feels like it has died in many ways - but at Pixar it is alive and well. Money seems to skew any idea, especially when large amounts are involved, but Pixar is handling that balance.

The historical value of this film is as important as the story itself. Jamie and I worked tirlessly to cover much of the history of animation both 2D and CG in our book - Thinking Animation explaining how we got here as and industry and where we are going. Iwerks echoes most of what we wrote and offers even more insight through her interviews with the very people making that history.


I encourage any animator to watch this
film as soon as they get a chance.


2008-05-14

Igor the Movie



This made me giggle like a little girl
and besides I have had a crush on John Cusack
since Say Anything.

And guess what?
The main character is a human!

Not a talking animal...
or robot...
or monster...
a stylized CG human,
with what looks like an interesting quest!

To DREAM BIG!

Great designs, looks like a funny story
and decent animation!!!
People better watch out for Sparx Animation Studios
and the Weinsteins!

You can even enter a contest to be a
cast member in the movie!

Practice you best Igor!
Click here to enter the be a cast member Contest!

To see the trailer Hi Rez - click here.

Igor the Movie Website

Sparx Animation Studios is currently completing work on their first feature film, IGOR, which is produced by Exodus Prod. and will be distributed by the Weinstein Co. for theatrical release in October 2008.

Founded in 1995, Sparx Animation Studios specializes in 3D animation. Headquartered in Paris and with an office in Los Angeles and an animation studio in Vietnam, Sparx has worked with leading entertainment and technology companies including Disney, Dentsu Tec, Exodus Film Group and Nelvana. Sparx has delivered more than 100 hours of animation for TV series, direct-to-video releases, shorts and feature films.


Gazoon also by Sparx Animation



Launched in 2002 by Ralph Kamp and Louise Goodsill, Odyssey Ent. is a film sales and finance business, headquartered in London with offices in both Los Angeles and New York.

Founded in 2007, by Jean-Philippe Agati and Laddie Ervin, Fable Works develops and produces properties for feature films, television and videogames.



Art Department
Olivier Besson Art Director
Vincent Massy de la Chesneraye Set Designer
Loic Rastout Production Designer



Sound
Jeremy Balko Sound Mixer



Visual Effects & Animation
Fabrice Delapierre CGI Supervisor
Thierry Malherbe Head CGI
Vincent Lemaire Character Rigger
Yoshimichi Tamura Animation Supervisor




2008-04-18

Wall-E Four Minute Featurette


It's a great marketing tactic to get people excited about the movie and one you could only do if you can show 4 minutes worth and not give away the movie. Good story - that's what it's about. Most 1 minute trailers give you all the funny bits and you leave the theater thinking that wasn't the movie I was sold. If you have a solid story, you go nothing to worry about showing people more and more.

2008-04-17

Fostering Innovation


In the beginning weeks of this blog and right after our book came out, we met Henry Caroselli. Henry wrote a great book called Cult of the Mouse. I encourage you to get it. He speaks on the loss of innovation in corporate America passionately. He makes many specific references to Disney regarding the loss of innovation, since he worked there for many years. Henry has a look at "what we as a country must do to reinvigorate idea generation––to reestablish innovation, not quarterly-profit imperatives, as the top priority in American business."

Well thanks to my friend Paolo, I see that Brad Bird also understands that its very important to keep innovation alive within your studio in order to keep creativity fresh...from Found Read.

This week The McKinsey Quaterly asks: what does stimulating the creativity of animators have in common with developing new product ideas or technology breakthroughs? Apparently, a lot. In Innovation lessons from Pixar, McKinsey writes:
Brad Bird makes his living fostering creativity. Academy Award-winning director (The Incredibles and Ratatouille) talks about the importance, in his work, of pushing teams beyond their comfort zones, encouraging dissent, and building morale. He also explained the value of “black sheep”—restless contributors with unconventional ideas.

Steve Jobs hired him, says Bird, because after three successes (Toy Story, A Bug’s Life, and Toy Story 2) he was worried Pixar might struggle to stay innovative. Jobs told him: “The only thing we’re afraid of is complacency—feeling like we have it all figured out,” Bird quotes his boss as saying “…We want you to come shake things up.” Bird explains to McKinsey how he did it — and why, for “imagination-based companies to succeed in the long run, making money can’t be the focus.”

The piece is behind McKinsey’s pay wall, but we extract its 9 key lessons below.

Lesson One: Herd Your Black Sheep

The Quarterly: How did your first project at Pixar—The Incredibles—shake things up?

Brad Bird: I said, “Give us the black sheep. I want artists who are frustrated. I want the ones who have another way of doing things that nobody’s listening to. Give us all the guys who are probably headed out the door.” A lot of them were malcontents because they saw different ways of doing things, but there was little opportunity to try them, since the established way was working very, very well. We gave the black sheep a chance to prove their theories, and we changed the way a number of things are done here.

Lesson Two: Perfect is the Enemy of Innovation
The Quarterly: What sorts of things did you do differently?

Brad Bird: I had to shake the purist out of them—essentially frighten them into realizing I was ready to use quick and dirty “cheats” to get something on screen… I’d say, “Look, I don’t have to do the water through a computer simulation program… I’m perfectly content to film a splash in a swimming pool and just composite the water in.” I never did film the pool splash [but] talking this way helped everyone understand that we didn’t have to make something that would work from every angle. Not all shots are created equal. Certain shots need to be perfect, others need to be very good, and there are some that only need to be good enough to not break the spell.

Lesson Three: Look for Intensity

The Quarterly: Do angry people—malcontents, in your words—make for better innovation?
Brad Bird: Involved people make for better innovation… Involved people can be quiet, loud, or anything in-between—what they have in common is a restless, probing nature: “I want to get to the problem. There’s something I want to do.” If you had thermal glasses, you could see heat coming off them.

Lesson Four: Innovation Doesn’t happen in a Vacuum

The Quarterly: How do you build and lead a team?
Brad Bird: I got everybody in a room. This was different from what the previous guy had done; he had reviewed the work in private, generated notes, and sent them to the person…. I said, “Look, this is a young team. As individual animators, we all have different strengths and weaknesses, but if we can interconnect all our strengths, we are collectively the greatest animator on earth. So I want you guys to speak up and drop your drawers. We’re going to look at your scenes in front of everybody. Everyone will get humiliated and encouraged together…

to read the other Five steps click here...

2008-04-15

The Pixar Story


The Pixar Story

Directed By Leslie Iwerks

Written, Directed & Produced by Leslie Iwerks
Edited by Leslie Iwerks, Stephen Myers, A.C.E.
Cinematography by Suki Medencevic
Music by Jeff Beal
Narrated by Stacy Keach
88 Minutes

'The Pixar Story'


Leslie Iwerks
' documentary 'The Pixar Story' tells of the rise of the animation company through the visions of people such as the three Pixar principals, John Lasseter, Ed Catmull and Steve Jobs.


Leslie Iwerks' "The Pixar Story" charts the company's rise to infinity and beyond, so to speak, and who better to chronicle the journey than the Oscar-nominated granddaughter of animation pioneer Ub Iwerks? Though a talking-heads retrospective by nature, pic boasts not only all the right heads (from the three Pixar principals -- John Lasseter, Ed Catmull and Steve Jobs -- to Michael Eisner and honorary godfather George Lucas) but also plenty of animated eye candy from Pixar itself, including early shorts and concept art. Result makes for a rosy inhouse portrait, sure to interest fans, especially down the road on DVD.

Version screened at San Diego Comic-Con was well polished but not quite complete, with credits still in flux and clearances still pending on a few of the clips.

In retrospect, it's easy to mistake Pixar's success as savvy planning on the part of Lasseter ("talented artist"), Catmull ("creative scientist") and Jobs ("visionary entrepreneur"), but the docu goes a long way to remind just how remarkable the meeting of these three minds proved. After all, even Lucas, who developed Pixar as the computer-graphics arm of his own filmmaking operation, decided to cut it loose before the division had revealed its true promise.

Narrated by Stacy Keach, pic opens with the image of a spinning zoetrope, followed by highlights from a century of hand-drawn toons, a fitting reminder of just how far animation has evolved to reach the sophistication evident in Pixar's product. The key, of course, was the introduction of the computer -- a tool Lasseter has elsewhere referred to as a multimillion-dollar pencil.

In other tellings of the Pixar story, Disney figures as the would-be villain (for letting Lasseter go during the early days of computer animation), with Lasseter's promotion to chief creative officer of Disney animation seen as the underdog-hero's poetic victory. But now that Disney and Pixar are one and the same, and because Iwerks' docu was produced internally, such dramatics have no place in this telling -- which probably makes for a more accurate account of events, considering that neither company would be where it is today without the other.


Read More...



2008-04-01

Coraline Teaser and Clip





Wanna know what Laika is up to?
Here is the teaser trailer and clip for Henry Selick and Neil Gaiman’s Coraline.

HIREZ Coraline Teaser and Trailers



2008-03-14

Madagascar: Escape 2 Africa Trailer


I know my opinion might not be the most popular regarding Madagascar, but I loved this movie. Me and my friend Lisa giggled like little girls through the whole screening. I laughed so hard my cheeks hurt...which more than I can say for many movies I have worked on or have recently been released.

The second Madagascar is coming soon, and it’s titled Madagascar: Escape 2 Africa. Here’s a look at the first trailer that is out...


2008-03-13

New Wall-e Trailer


Wowsie Wow, the new trailer is MUCH better than the super bowl one!

NEW WALL-E TRAILER


2008-02-22

Riki Tiki Tavi

Riki Tiki Tavi Part One


Riki Tiki Tavi Part Two


Riki Tiki Tavi Part Three



This was my favorite animation to watch as a kid.
I would watch it over and over and over.
Based on the story by Rudyard Kipling & Directed by Chuck Jones.

2008-02-16

Howl's Moving Castle Paper Craft

This guy is nuts...


Howl's Moving Castle from Ben Millett on Vimeo.

From Ben's Blog:

Last Thursday, I finished the Howl’s Moving Castle papercraft project I started about 3 weeks ago. Spending a couple of hours each night, I spent about 72 total hours, and watched 24 movies. Included in that list of movies was all three extended The Lord of the Rings films, three Pride and Prejudice adaptations, as well as some thrilling films like From Justin to Kelly. Like the other papercraft projects, I used the iSight on my computer to capture a time lapse of the construction. This () is the final result (flickr set of more images). Music in the video is “Molossus” from Batman Begins.



2008-02-15

Dinner For Five Talks Mocap and Animation



Dinner for Five - Episode 409 - Seth MacFarlane, Tony Hawk, Jon Heder, Stacy Peralta and Host Jon Favreau talk about animation and making movies at Sony Pictures...among others.

Orignally Aired on IFC on May 6, 2005 Part 2 of 3

2008-01-30

Even Pigeons Go To Heaven - Même les Pigeons vont au Paradis





My vote for Best Animated Short Film...
Même les Pigeons vont au Paradis.
(I have been a big fan of BUF's work since City of Lost Children)



Directed by: Samuel Tourneux
Running Time: 9:00
Release Date: 2007
Technique: CG
Produced by: Pierre Buffin

A priest conducts a frenzied chase to save a soul in peril.

Additional Notes

Written by: Karine Binaux, Olivier Gilvert, Samuel Tourneux
Music by: Regis Santaniello